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October 3, 2006

Atmosphere in Weird Fiction

Lovecraft once said, “Atmosphere, not action, is the great desideratum of weird fiction.” I’ll go one step further and state: good weird fiction (and good horror fiction) lives or dies by its atmosphere. I’ve given this much thought over the past couple of weeks, in fact I haven’t stopped thinking about it, and thus my conclusion as stated. I have spent my last couple of weeks reading as much “horror” short stories as I can, and when I cannot I listen to those I can find on the Internet. Some have been “professional” (as measured by being published in a for-pay magazine) and others have been “amateur” (as measured by being given away as free online). This latest bit of reading coupled with my memories of reading ghost story collections as a kid has led me to agree with Lovecraft.

There are a good many weird tales out there which I have passed over because they lacked impact; they fell flat; they were uninteresting. Over the last couple of weeks I’ve thought about those stories that did grab me and those that didn’t and did a quick mental comparison. I found that the essential story in either case was not all that different. Even the most atmospheric ghostly tale is still quite banal under a microscope. The deciding factor was the atmosphere.

In my opinion really good weird fiction will have it’s own atmosphere, and will not require you to create your own. I have read such stories, and it’s a bit of a thrill to sit in a parking lot in the middle of the day and still feel the foggy, creepy, haunting atmosphere of a story.

If I may speculate, I’ll suggest that this aspect of “horror” literature is what makes it so difficult to write (and if you write horror in order to scare I think you’re doubly challenged). I can be more relaxed about atmosphere in my sword swinging fantasy stories, and atmosphere is not what people generally look for in a good sci-fi yarn. Yet when a story will either fall flat or resonate with the audience due in part to the atmosphere, frankly I find that a bit of a task. In all my writing classes not once was setting stressed beyond plot or characters, nor was atmosphere really discussed.

There is more to a weird tale or a horror story than at first glance. I have more respect for those authors who write them well.

August 29, 2006

Dealing With the Devil

Allow me to put my theology cap on. My demonology isn’t all that refined as that was not actually covered with anything more than a passing reference in my course of study, but I do know a few things. For one I know demons masquerade as angels of light; I also know Satan’s goal is to gain worshippers of his own, not necessarily to destroy, to create chaos, to corrupt into gross acts of sin against God (though I cannot deny that he might approve of such tactics; see Job). Is it so hard to believe that a person would cooperate with an angelic figure who merely wanted their worship? Then is it so hard to imagine that a person who might have sold his soul to the devil might not be a dark and sinister man?

Go forth and write. I know of few characters who made a pact like this, but it seems far more likely than the usual means of making a contract with demons and the devil. And no, I have no ideas how one might actually go about contacting a demon in order to make this contract in the first place, I’m assuming it will happen by chance when least expected, and it will seem pleasant and beneficial.

Three Modes of Living

I took all of two psychology classes in colleges, which makes me about as knowledgeable as any post-doctorate in the field, so believe me when I make my outrageous claim. There are three modes of living: survival, maintenance, progressive. I don’t yet know how this pertains to writing, but I know it could have some impact. As I have been in all three modes (though it’s been quite some time since I’ve been progressive) I know there is a difference in my actions and my motives based on the mode of life I am in.

I can’t help but state that any author would benefit from keeping this in mind when creating characters. It probably will not be transparent in the story, but this is the kind of information about a character that will help to make them more real and believable.

August 24, 2006

Some Things You Prepare For

Life is full of changes, so much so that change is inevitable and about the only thing you can count on. Some changes are irrevocable; with one decision your life could be changed forever. These changes you prepare for. Marriage will change the rest of your life, as will having children. These two things you should definitely prepare for. So I don’t understand when people think my wife and I ought to take a chance and just have a child and see what happens and how we’ll be provided for. As far as I am concerned other people can screw around and wind up pregnant then fight to provide, but as for myself and my wife, we’ll be a little more ready for it than that.